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the sister itv series

High drama on the cobbled streets of Weatherfield in the world's longest running TV soap.

Carvel – who has come to embrace his reputation as a ‘character actor’ – plays Bob with an untrustworthy glint in his eye and an uncanny watchfulness. Fortunately, Cross has only ever committed one crime in his life, having pinched a soft porn mag from a newsagents as a 10-year-old. My wife has mentioned more than once that I’m never happier than when I’m writing Luther.

Topics: Featured, Film and TV, Now, thriller. […] We both care about him, we both want the best for him.

Despite having created one of the most iconic fictional detectives of all time, Cross believes he would make a much better villain than he would a police officer, having ‘the imagination of the bad guy, but not the amorality of a bad guy’.

In The Sister, this gnawing guilt and dread manifests in a ghostly manner, and although Cross is fundamentally a rationalist who doesn’t believe in the ‘discarnate spirits of dead human beings’, he’s still very intrigued by the concept of ghosts. The series is directed by Niall MacCormick (The Victim, The Durrells, Doctor Thorne) and produced by Jonathan Curling (Tin Star, Baghdad Central). The brains behind Luther and Spooks has created what will arguably be your next TV obsession - four-part murder mystery The Sister. The four-part murder mystery… Reflecting on how much the character of Luther means to him, Cross continued: No matter what I’m doing, and I’m always doing something, there is never a day that goes by when I’m not thinking about Luther. The incident left him ‘crippled with guilt for years’, with Cross lacking the necessary ‘lack of conscience’ needed for a life of crime.

Suddenly, we start this show and Pandora is just completely running around and going crazy, and he’s trying desperately to get her back in. The narrative itself was inspired by a horrifyingly vivid dream Cross had as a youth, after a few too many pints of rough cider out in Bristol.

One fateful rainy evening, Nathan gets an dreaded knock on the door from an old acquaintance, Bob (Bertie Carvel).

And that’s why I don’t find big haunted castles terrifying, because I don’t live in a big haunted castle.

Action-packed drama series depicting the special criminal intelligence unit CI5.

So that makes those characters really interesting, you’re travelling at a greater distance from yourself, but it’s still yourself ‘what if’.

The script was phenomenal. Nathan discovers his loved ones are under threat.

Cross recalled how, in the early days of the show, the team would receive letters from old ladies who were keen to have Elba over for a cup of tea and some cake, wanting to look after the ‘big, wounded God’ they’d seen on telly. The four-part series, starring Russell Tovey (Years and Years), follows Nathan, a man with a dangerous secret regarding his wife’s late sister – a secret that he is desperate to conceal. A particularly pertinent fear in an age when so many of us are spending more time indoors, left to brew over our own anxieties. How did that feel three years down the line when ‘have you lost hope or haven’t you lost hope?’ – that can be quite challenging, I think. Cross is well known for penning psychologically terrifying TV narratives, with Luther introducing various memorable villains who stay with you, making you jumpy about spaces as ordinary as the top deck of a bus. One of my favourite things about chilly autumn evenings is curling up on the sofa with a tense crime thriller, the sort that keeps your eyes locked to the telly throughout. Crime drama series where real-life war stories blend with treachery and suspense. That’s why I find hauntings so very terrifying.

Then you’ve got the Grim Reaper which is Bob, just like hanging out, filing his nails on his scythe, waiting to step in. I was absolutely certain that I remembered randomly killing this man. The how and the why, that’s all to come, but we’re gonna make more Luther.

The series was announced in July 2019, and the first image was released in April 2020.

He does, however, have an extraordinary capacity for imagining the most nightmarish scenarios a human being could possibly find themselves in, forcing viewers to consider the lengths they would go to keep a dark secret buried. That mentality of, who is that person that’s suffered so much?

For many years afterwards, Cross found the dream difficult to discuss, and even to this day admits that there is still around ‘1%’ of him that remans troubled by the memory. As the secrets of the past threaten to come to light, a surprising connection between past and present is revealed. Toussaint White revealed she was ‘blown away by the script’, explaining: Obviously when the audition came through and it had Neil’s name attached to it, I wanted to throw my hat into the ring without even reading the script. With the three separate timelines, we see Holly at various stages of grief, making for an interesting character study for Acharia, as she discussed: Trying to kind of go, ‘How did that feel when it first happened? It’s a really big part of my life, it’s a really big part of my imagination. Like Nathan, Holly inspires great empathy, even if we’re not sure what we want for her or how much of the full truth we want her to know. Both want to go back and see him. She then trained as a journalist through News Associates in Manchester. Cross has described The Sister as being his most autobiographical work to date, and – as ‘the most English man who ever lived’ – can relate to the feelings of anguish and guilt that plague Nathan from the first scene. A figure on the edges of ‘normal’ society, he’s a chaotic force that threatens to disrupt Nathan’s quiet, anxious domesticity. We’re all very excited, Idris is excited and we can’t wait to tell you. So he’s a really big part of my life. They like Idris’s suffering. Then I read it. It was a bit of a page-turner for me, which I do find doesn’t always happen when you get an audition script through, so I wanted to jump on it straight away. Starring Russell Tovey (Years and Years, Flesh and Blood) and written by Luther creator Neil Cross, The Sister looks perfectly timed for cosy evening viewing as the nights draw in this autumn. Her conflicting interests as officer and friend make for an interesting dynamic, with Nina being just as driven to shield Holly from any further hurt as she is to solve the case at the heart of the show.

He is particularly interested in the small, claustrophobic houses of Japanese ghost stories, where ‘the ghost is there on top of you, sharing your space’. Almost a decade into his new devoted married life Nathan is rocked to the core when Bob, an unwelcome face from the past, turns up on his doorstep with shocking news, triggering a series of catastrophic decisions. Starring Being Human's Russell Tovey, the spooky series … Speaking with UNILAD and other members of the press during an online event, Tovey said: Nathan is fundamentally just a really simple, nice man and just wants to have a lovely life, fall in love, have kids and be normal. Holly raises a time-old question of whether you would rather live out your life in blissful ignorance, or learn to live with the bleak and devastating truth. And if I’m not actually coming up with ideas, part of me is wondering where is he now? Whether or not you believe in an afterlife – and Cross firmly does not – he remarked that a high percentage of bereaved people do indeed see their deceased loved ones, an occurrence that can be interpreted in various different ways.

If you have a story you want to tell, send it to UNILAD via [email protected]. I think what frightens me is that moment when the everyday – the everyday life we lead of waking up in the morning and putting on the radio and cleaning your teeth and having a cup of tea and going to work, getting the bus home – that life intersects with the numinous and the supernatural. We are – I don’t know what I’m allowed to say, which is an answer in of itself! […] There was no blood on my knife, no blood on my clothes, there was no blood anywhere, but I still I was listening out for the police, I was scanning the news. I gobbled up the four-episode mini-series far too quickly, utterly compelled by this Poe-esque tale of guilt, trauma and the unrestful dead.

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