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black magic ursa 4k

There’s also a 12G-SDI input that can display return video on the 10 inch monitor when working on live events or an external video source! The 4K sensor on the Blackmagic URSA Mini 4K is the same that was used on the large URSA camera and on the Blackmagic Production Camera. The screen provides you with a built-in monitor so you don’t need to carry around your own third-party monitor.

Blackmagic RAW 8:1 - 68 MB/s

3840 x 2160 (4K 16:9) Blackmagic Design creates the world’s highest quality products for the feature film, post and broadcast industries including URSA cameras, DaVinci Resolve and ATEM switchers. As an added bonus, it comes with Davinci Resolve Studio — normally a $995 software package. Blackmagic RAW Q0 - 110 to 274 MB/s * Blackmagic URSA Mini Shoulder kit is required for mounting URSA Viewfinder on URSA Mini or URSA Mini Pro. 8K DCI full sensor up to 120 fps Less than 1 frame drift every 8 hours. URSA is a true professional digital film camera with a 4K sensor, global shutter And an incredible 12 stops of dynamic range. The wide dynamic range preserves detail in dark shadows as well as bright highlights so you have a wider range of brightness levels to work with when color grading in post production. 7680 x 4320 (8K 16:9) NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. Good camera If you are professional DP, beautiful Raw. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. With URSA Broadcast, you get a single camera that works with virtually all professional lenses so you can choose precisely the lens you need! So you can always work with your camera RAW files without having to make proxies. Now you can control Blackmagic Design cameras by inserting control commands into the SDI feed from an Arduino! Install a Blackmagic Camera Fiber Converter or power via SMPTE fiber.

Apple ProRes XQ - 250 MB/s Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. 1 x USB type C connector for initial setup and software updates via Blackmagic Camera Setup software. There was an error retrieving your Wish Lists. Say goodbye to bulky on set monitors because you get a massive fold out 10 inch screen built into Blackmagic URSA, making it the world’s biggest viewfinder! I like this camera a lot. You can even record lossless 12-bit Blackmagic RAW files for high quality programming and post production workflows.

Blackmagic URSA And DaVinci Resolve mean you get a complete production And post production solution! Simply load an empty CFast card into the second recorder And when the current card is full, the recording will continue onto the second card, allowing you to change out the full card And keep shooting! Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The Mini is equipped with two XLR inputs with 48V of phantom power, so you’re able to plug in all kinds of professional microphones. This allowed our shoulder to carry most of the weight. Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable! VLock compatible battery plate for attaching third party batteries to URSA cameras. URSA Broadcast includes a 4-pin XLR industry standard power connector that works from 12V to 20V for external power supplies and battery packs. In addition, you can also power and control broadcast style cine-servo zoom lenses using the camera’s 12-pin Hirose connector. The URSA Mini is outfitted with professional connections throughout its design, and audio is no exception. Plus, the software duplicates all of the physical buttons and switches on the camera so you get full redundancy! URSA Broadcast is the first professional broadcast camera designed to work with standard media cards and file formats that are compatible with virtually all broadcast systems and editing software. Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control.

The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality.

Built to hAndle the ergonomics of large film crews as well as single person use, URSA has everything built in, including a massive 10 inch fold out on set monitor, large user upgradeable Super 35 global shutter 4K image sensor, 12G-SDI And internal dual RAW And ProRes recorders. One small issue we ran into while operating the URSA Mini as an ENG-type configuration is that we occasionally touched the monitor by mistake when closing the screen and it opened up the metadata display.

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